New Visitor Experience Set to Draw Tourists to Explore the Capital

New Visitor Experience Set to Draw Tourists to Explore the Capital

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Creating a fresh perspective on Edinburgh’s rich narrative of history, culture, heritage and everyday life, Edinburgh’s 101 Objects is a new visitor experience set to bring the city’s colourful, and sometimes dark, past to life through some of its most treasured objects and curiosities.

The city-wide attraction is a first for Edinburgh with 50 partners, including city institutions, attractions, universities, galleries and local pubs, coming together to each showcase their precious objects in celebration of 1,000 years of Scotland’s capital city.

From the architectural grandeur of the Scott Monument and the ethereal ceiling in the Thistle Chapel at St Giles’ Cathedral, to a 90-year old paint mixer used on the Forth Bridge and a golf ball once owned by Robert Louis Stevenson, every object has been carefully chosen for both their personal intrigue and part in the compelling story of the city.

Seven themes provide a thread through the Edinburgh’s 101 journey through time: Building a City, Faith & Nation; City of Innovation; Arts & Performance; Everyday Life; On the Dark Side and Books, Words, Ideas.  A balanced combination of familiar favourites including The Stone of Destiny, Sherlock Holmes statue and Dolly the Sheep, sit along the first Edinburgh International Festival programme from 1947, the 200-year old Sabal palm tree, the original New Town Plan and the Witches Well.

A new website www.edinburgh.org/101 presents all 101 objects, providing an entertaining insight into each object’s personal history and its place within Edinburgh’s gripping story. With each item numbered 1-101, visitors can explore the objects, arranging them by locale or theme, creating a personal visitor experience tailored to their interests.  Designed to be an engaging information resource, the site also acts as a mobile geo-mapped guidebook, enabling visitors to navigate the city and discover the physical objects for themselves.

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