Statistics show an estimated 350,000 trees will be bought in the West Midlands this Christmas, yet only 3,500 of those will be recycled. Local charity, Birmingham St Mary’s Hospice is challenging residents to help increase that figure by recycling their festive firs in the largest tree collection the city has seen.

Volunteers from the Hospice are expected to collect 3,000 trees from residents’ doorsteps on 13 and 14 January across the city, in return for a donation.

The ‘Treecycling’ scheme will reach out to a range of postcodes across Birmingham and Solihull, where all collected trees will be recycled into compost and biomass fuel.

All funds raised from Treecycling will go towards Birmingham St Mary’s Hospice, which provides vital care and support to local families living with terminal illness across Birmingham and Sandwell.

Richard Green, Treecycling volunteer at Birmingham St Mary’s Hospice, said: “After all the festivities are over, getting rid of the tree can feel like a post-Christmas chore. With Treecycling though, we can save you both time and hassle by picking up the tree right from your doorstep, saving you from getting needles in your car and queuing for the tip.

“Not only is this scheme a fantastic way to be eco-friendly in the New Year but it will also help raise crucial funds for our Hospice. All of our services – whether they are provided at the Hospice, in people’s homes or in the local community – are completely free of charge and so we rely on the generosity of local people to help us provide our vital care to everyone who needs it.”

Treecycling is supported by the civil engineering contractor, Fitzgerald, who has generously provided staff for the collection weekend, vans and financial support since the scheme’s inception.

Nick Coley, managing director at Fitzgerald, said: “We have a long-standing partnership with Birmingham St Mary’s and it’s fantastic to be able to work together on the Treecycling campaign. Our employees always enjoy helping out during the collection weekend and it’s brilliant to know that every penny raised goes directly towards the Hospice. I know our staff are already looking forward to this year’s event and want to make it its biggest collection yet.”

Treecycling is part of the Hospice’s ‘Care at Christmas’ campaign – a festive appeal to boost support for individuals and families living with terminal illness. It will cost £22k to run the Hospice on Christmas Day so every penny raised will ensure that the best hospice care is available to people and their loved ones, wherever and whenever they need it.

The postcodes that Treecycling will be collecting from, are: B13, B14, B15, B17, B26, B27, B28, B29, B30, B31, B32, B38, B90 and B90. To book your collection, head to: www.careatchristmas.org/treecycling

City of Wolverhampton’s inaugural Victorian Christmas Market has been hailed a success – and will return next year on December 14, 15 and 16.

More than 15,000 people attended the event in the heart of the city from Friday to Sunday – generating around £200,000 for the local business economy.

Families enjoyed the festive fun and snapped up Christmas goodies from more than 100 stalls during the three-day market, delivered by City of Wolverhampton Council’s approved market operator, LSD Promotions.

The whole event was set to the backdrop of a Victorian funfair and the offer included a variety of traditional and international street food, local produce, seasonal handcrafted and home-baked goodies, bespoke Christmas decorations and holly wreaths, festive novelties and exclusive gifts, accessories and jewellery.

Entertainment included street artists, choirs, vocalists, instrumental performances, chimney sweeps, dance displays, and Victorian themed stilt walkers.

City of Wolverhampton Council Cabinet Member for City Environment, Councillor Steve Evans, said: “This was the largest festive market the city has seen and it was wonderful to see it attract thousands of visitors – and boost the local economy.

“There was a great atmosphere around the market over the three days with people of all ages enjoying a variety of stalls offering festive goodies, plenty of food and drink, and fun activities at this special time of year.

“We now intend to build on the success of this year when the market returns next winter.”

Organiser Dermot McGillicuddy, LSD Promotions Director, added: "We are proud to have helped the council deliver such a fabulous event, which we hope will be the first of many over the years.”

Pouring turkey fat and other festive leftovers down the plughole is a recipe for disaster that could make it a costly Christmas for unsuspecting households.

As millions of people prepare to tuck into their Christmas dinner, the Consumer Council for Water (CCWater) is urging everyone to stop and think about what they pour down the sink and not run the risk of a blocked drain or seeing their home flooded with sewage.

Fatty substances put a huge strain on the sewer network and can create giant pipe-blocking ‘fatbergs’ which feast on our festive leftovers, enabling them to grow up to 250 metres long.

Blockages are one of the main reasons the number of properties across England and Wales flooded with sewage increased by almost a third in 2016/17.

Greasy leftovers can also clog up a property’s drains, landing the householder with a callout charge for someone to clear up the mess.

Steve Grebby, CCWater’s sewer expert, said: “We all love a surprise at Christmas but seeing your home flooded with raw sewage isn’t one of them.”

“There are lots of simple ways to safely dispose of leftover fat or grease, including letting these substances cool in a container before scraping them straight into the bin. It might cost you a little more time but it could save you a lot of money.”

Consumers can protect their pipes and drains by keeping a ‘fat trap’ or container in their kitchen to collect leftover fat, gravy and grease before emptying it into the bin.

The water industry currently spends up to £100 million a year clearing blockages caused by inappropriate items being put down the sink, drain and toilet, with customers footing the bill through their sewerage charges.

New artist’s impressions showcasing the future of City of Wolverhampton’s railway station as part of the wider Interchange area have been revealed.

The images come with contractors, Galliford Try, having started early site works before Christmas to prepare for the start of demolition of the existing railway station in May.

Galliford Try - one of the UK’s leading construction groups, responsible for Birmingham’s Royal Birmingham Conservatoire - will also build the new railway station.

This phase of the £150 million Wolverhampton Interchange project also includes the already-completed new railway station entrance from Corn Hill and multi-storey car park extension, as well as the continuation of the Midland Metro line extension works to the railway station.

The development news comes in addition to the announcement last week that the West Midlands railway network has been put in the hands of West Midlands Rail – a consortium of 16 local councils, working in close collaboration with the Department for Transport.

This will bring a near £1 billion investment in regional services over the next eight years that will mean more space on trains, more frequent services and better facilities for passengers.

The Wolverhampton railway station development will put the city in the best position to capitalise on the new franchise, and, prior to Christmas, Galliford Try will continue enabling works, including the removal of trees at the bottom of Railway Drive.

The loss of these trees will be mitigated by the installation of a giant green wall in front of the existing multi-storey car park and new tree planters, with plans for further planting on site.

The Banana Yard, which train companies staff previously used for staff car parking, will also be fenced off in readiness.

City of Wolverhampton Council Cabinet Member for City Economy, Councillor John Reynolds, said: “The Wolverhampton Interchange Partnership has worked hard to get to this point.

“Everything is now in place to begin the main station works early next year and people will soon start seeing big changes on site.

“We can all look forward to the emergence of an iconic railway station befitting of the city.

“There is £3.7 billion of investment currently on site or in the pipeline across Wolverhampton.

“As part of this regeneration it is crucial visitors to our city get the best first impression possible and their travel experience is enhanced - this new state-of-the-art station will deliver that.”

The new station building is expected to be completed in 2020.

It will benefit from an enhanced Birmingham New Street-style ticket office, larger passenger concourse, ample ticket barriers to ease flow onto and off platforms, and much improved retail and café facilities.

Steve Parry, Managing Director of ION Development, added: “As the work at the railway station gets underway, it is a pleasure to unveil the vision of the full masterplan through these new images.

“They depict how the transformation of the railway station and surrounding area will offer a brilliant first impression - welcoming those arriving by train to Wolverhampton and showcasing this entrance to the city.”

Melanie Bryett, Interchange Project Manager for Virgin Trains, added: “The new images really bring the plans for the new-look station alive. There’s a real sense of excitement as we work together to give the city a station to be proud of.”

The first phase of the Wolverhampton Interchange project included the construction of a new £22.5 million state-of-the-art bus station on Pipers Row to replace the old one.

A social media star from Turkey, famous for his colourful portraits of some of the world’s biggest celebrities, has been sharing what it’s like to spend Christmas for the first time in the UK since moving for his studies at Birmingham City University International College (BCUIC).

Nineteen-year-old Emre Süner, known online as Mr Creative, has more than 85,000 followers on Instagram, his how-to-draw tutorial videos on YouTube have been streamed hundreds of thousands of times and the artist counts popstar Rihanna among his fans. Furthermore, an abstract picture he drew of musician Taylor Swift went truly viral in 2015 when it was shared by her friend and actress Sarah Hyland and model Dominic Sherwood – who appeared in Swift’s ‘Style’ video – on Twitter.

Born and raised in the small southern Turkish city of Antakya, Emre moved with his family to live in Doha, Qatar in 2009, where he first discovered his talent for art. Earlier this year, Emre moved to the UK to study an Undergraduate Pathway in Architecture before he plans to embark on a degree in Architecture at Birmingham City University.

Emre Süner said: “I know I come from a warm country and my family now live in the Middle East, but I really love the cold! The festive period is always a special time of year no matter where you are in the world, but with the recent snowfall in the UK it has truly felt like Christmas here in Birmingham.

“I am really enjoying all the food that accompanies this time of year in the UK too! The BCUIC campus is situated in the beautiful Birmingham suburb of Bournville, right next to the world-famous Cadbury chocolate factory, so I am literally surrounded by sweet treats all day long.

“I’m certainly not getting homesick though, as the Christmas lights here in the UK are just as big and bold as the ones used to decorate Turkish homes at this time of year, and the displays in Birmingham remind me of my childhood and how we still celebrate New Year back home.

“Being in the UK, it still feels like a dream. I am loving my life at Birmingham City University and, getting to explore the history and culture of the UK in my spare time, is really inspiring for my art.”

In order to keep his online fans in-the-loop, Emre has been documenting his first Christmas in Birmingham, along with his other offline adventures in the UK, on his YouTube channel.

Self-taught, Emre spent six months crafting his abilities before he first posted one of his pencil drawings – a human eye – online in 2011. Since then, he has developed a distinctive style which reflects his interest in popular culture, music and movies – with his art depicting stars such as Justin Timberlake, Cara Delevingne and Eddie Redmayne, or paying homage to films such as ‘Jurassic World’, ‘Interstellar’ and the ‘Star Wars’ saga.

On his growing popularity online, Emre Süner said: “I think people enjoy my art because it reflects my personality as much as it showcases a skill. I take inspiration from pop culture and everyday experiences, so lots of people can relate to it, no matter where in the world they come from.

“There’s lots of hidden messages peppered throughout my work and I think people like to find the Easter eggs I’ve added as well and try to work out what they might mean.”

Thinking about his plans for 2018, Emre wishes to continue his art alongside his academic studies and hopes in the future he gets the chance to collaborate with some of the artists he has drawn.

He added: “I would love to design tour merchandise for someone like Justin Timberlake, but in the meantime, I will continue to draw, write and direct videos, as my creative outlets give me such joy personally and I am just blessed that others enjoy it so much too.

“As well as preparing me for a successful career, my studies at BCUIC are also helping me develop my skills and absorb new experiences, and I am truly grateful for all the exciting opportunities my life in Birmingham is providing me with.”