Colors: Red Color

Birmingham Royal Ballet and Kauma Arts are facilitating a panel discussion and Q&A on 7 June as part of BIDF’s Industry Professionals Programme.

This panel event is an open invitation to representatives from across the dance sector in the West Midlands to participate in an ongoing conversation about diversity in the industry with the aim of addressing issues, overcoming challenges and working out solutions to effect positive change in the region, with speakers including Carlos Acosta, Sonia Sabri and Jamaal O’Driscoll.

This event is part of a series of discussions with individual artists and organisations from the dance sector in the West Midlands aiming to:

●        Bring together leaders in dance in the West Midlands to promote positive change

●        Take stock and acknowledge a common discourse that runs across diverse cultures in the West Midlands

●        Discuss challenges and barriers, and work towards solutions that will move diversity and inclusion in the West Midlands dance sector forward

●        Begin creating a collective commitment to building a three, five- and ten-year strategy for the West Midlands’ dance ecology towards an equitable future

Moderator and Host: Wanjiku Nyachae Panelists: Carlos Acosta CBE - Birmingham Royal Ballet, Iona Waite – ACE Dance and Music, Bob Ramdhanie MBE – Independent, Shane Shambhu – Independent, Abid Hussein – Arts Council England, Jamaal O’Driscoll – DanceXchange, Sonia Sabri – Sonia Sabri Company.

Listings:

We Are West Midlands: Working Towards an Equitable Dance Future

Date: Monday 7 June 2021 FREE

Time: 1.00 – 3.00PM BST

Location: Zoom

Italian Toy maker, Mondo has launched two new green projects: BioBall and ReNewToys.

The new BioBall is the only ball made with a new bio-based formula, which replaces 50% of fossil-derived substances with a renewable sourced plant derivative to create a 100% phthalate-free playball. The new formula not only makes it the first green ball, but also contributes to improving its flexibility and, consequently, its playability.

Mondo has also released ReNewToys, a brand-new set of beach products (buckets, rakes, spades and more) built using recycled materials coming from the pre-consumer food chain, making them safer for children and toddlers. One of the biggest problems we face today is the impact of man-made materials on the environment.

For example, if you look at pollution in the Mediterranean Sea, 95% of the waste in its waters is plastic1. Similar problems are being experienced all around the planet, and the only way these problems can be solved is by implementing real change.

Committed to caring for our coastlines, Mondo is investing heavily in research and development and committing itself proactively to find concrete and useful solutions to substitute plastic materials with environmentally sustainable options.

Through its products and its choices, Mondo communicates its respect for nature: a real commitment to effectively contribute to awareness, growth and education of new generations to help the children of today become more aware adults tomorrow.

Ex-British racing driver Max Mosley, who went on to run motorsport's world governing body the FIA and become a privacy campaigner, has died. His death was confirmed by ex-Formula 1 boss Bernie Ecclestone.

Mosley served three terms as president of the FIA from 1993 to 2009. He also campaigned for tighter press regulation after winning £60,000 damages from the News of the World when it wrongly published a story alleging he had attended a Nazi-themed orgy.

Mr Mosley, in his role as FIA president, led widespread reforms of safety procedures in Formula 1 following the death of Ayrton Senna in 1994.

Ecclestone said: "He did a lot of good things not just for motorsport, also the car industry. He was very good in making sure people-built cars that were safe."

In a tweet, current FIA president Jean Todt said he was deeply saddened by the news, adding that Mr Mosley strongly contributed to reinforcing safety on track and on the roads. Meanwhile, a spokesperson for F1 described Max Mosley as "a huge figure in the transition" of the sport.

The son of 1930s British fascist leader Sir Oswald Mosley, he took his privacy action against Sunday tabloid the News of the World in 2008 over the paper's story, which was based on a secret video. The newspaper had filmed him with five prostitutes and later published a front-page story.

A judge ruled there was no substance to the allegation that there had been a Nazi theme to the sex party and found that his privacy had been breached. The High Court also said the article was not in the public interest.

Although Mr Mosley was awarded damages, everyone had learned the details of his sexual preferences, and he argued money alone could not restore his reputation. He went on to seek reform of celebrity privacy laws, making a case for "prior notification" of stories in 2011, and funded independent press regulator Impress through a family charity.

Born in London in 1940, Mosley studied physics at Christchurch College, Oxford, and later turned to law and became a barrister. After a brief career as racing driver in the late 1960s, in which he rose to race in Formula 2, he co-founded the racing car constructor March in 1970 with Robin Herd, Alan Rees and Graham Coaker - the company name formed from the initial letters of their surnames.

The company won its first three Formula 1 races in 1970 and later diversified into other forms of motorsport, but by the end of 1977 Mosley had left the company to work full-time in motorsport politics. He joined forces with Ecclestone at the Formula 1 Constructors' Association (FOCA) and the two fought a bitter political war for control of the sport with the governing body, then called FISA, in 1980 and 1981.

The arguments were finally settled with the so-called Concorde Agreement, which essentially set up the structure of the sport that remains in place to this day - FOCA, later to be renamed F1, held the commercial rights, while FISA controlled the rules. He left motorsport in 1982 to work for the Conservative Party but returned four years later to become president of the FISA manufacturers' commission - using the role as a springboard to launch a bid for the presidency of FISA in 1991. He then became president of its parent body the FIA, the international automobile federation, when the two were merged in 1993.

Mosley quickly established a modus operandi as a president who was proactive, provocative and controversial. In 1993, he instigated a ban on driver aids such as traction control and active suspension against the wishes of the teams. And his combative approach, in which he used a vast intellect to devise clever strategy and often Machiavellian tactics, continued over his near two-decade stay in his role.

His biggest challenge came a year later, when Mr Senna was killed in an accident at the 1994 San Marino Grand Prix that was broadcast live around the world. As a global sporting icon, and an almost God-like figure in his native Brazil, Mr Senna's death raised serious questions about safety in Formula 1, and world leaders contacted Mr Mosley questioning the sport's position.

Recognising the threat to the sport's existence, Mosley introduced a series of changes to the cars, setting in motion a new approach whereby the safety of the drivers and spectators was central to the ethos of motorsport and attempts were made to constantly improve it.

In this, he was backed by Mr Ecclestone, and supported by the FIA medical delegate Professor Sid Watkins and the FIA F1 director Charlie Whiting. Together they changed the face of the sport.

As FIA president he also turned his attention to road cars, and was central in introducing the EuroNCAP crash testing programme. This required manufacturers to meet minimum safety standards in their cars for the first time and has played a significant role in reducing the number of deaths in road accidents.

But the longer Mosley remained in situ, the more F1 teams began to become uncomfortable with what they saw as an authoritarian and arbitrary approach, along with sometimes questionable methods and motives. His reputation with the F1 teams was badly damaged by his deal to remove the TV rights to F1 from Foca and sell them on a 100-year lease to Mr Ecclestone's companies for what many considered to be a paltry one-off figure of $360m in 1995.

His antagonistic style of running the sport continued through the 2000s and the beginning of the end of his time at the FIA came with the News Of The World's story. He survived the initial outcry but when in 2009 he tried to introduce a budget cap into F1, the big teams had had enough.

The latest of many political fights began, and this time he lost. The major teams and car manufacturers threatened to set up a rival championship, and to bring them back into the fold Mosley had to agree not to seek a further term as president when his latest one expired in October 2009.

He was 81.

After teasing its arrival throughout the week, GRAMMY nominated Nashville band Old Dominion have released their brand-new single ‘I Was On A Boat That Day.’ It marks the group’s first new music since their 2019 self-titled third full-length album, Old Dominion—which became their second straight #1 bow on the Billboard Country Albums Chart and second consecutive Top 10 debut on the Billboard Top 200. 

Of the new track, front man Matthew Ramsey said, “When you listen to ‘I Was On a Boat That Day’ you are hearing us in the full joy of making music together. From the moment I counted the band off we were smiling from beginning to end. The tequila was flowing, the laughter was loud, and we knew in that moment we were creating something that would bring people as much joy as it was bringing us.”

Amplifying the hallmarks of their signature sound, the track ignites an instantly chantable hook buoyed by a massive groove and arena-size scope. ‘I Was On A Boat That Day’ features songwriting contributions from all five band members— Matthew Ramsey, Trevor Rosen, Brad Tursi, Whit Sellers, and Geoff Sprung—alongside co-writers Shane McAnally and Josh Osborne. 

The band will return to the road in 2021 for their We Are Old Dominion: Live at The Ballpark Tour across North America. Teaming up with Indigo Road Entertainment, the group’s first full-scale headline run since 2019 kicks off July 17 at The Ballpark at Jackson in Jackson, TN, visits major markets and historic venues coast-to-coast with more announcements on the way. 

Be on the lookout for a whole lot more from Old Dominion soon.

Italy won the Eurovision Song Contest in Rotterdam with their song Zittie e Buoni.

Måneskin singer Damiano David shouted "Rock and roll never dies" as the four-piece group collected their glass microphone trophy.

It was another disappointing night for the UK, with James Newman's Embers scoring nul points. It is the fifth time the UK has come last, and the second time it has received no points (the first time was in 2003 when Jemini sang Cry Baby).

Newman put on a brave face, smiling and cheering as the bad news was delivered.

Commentator Graham Norton reacted by saying: "I'm trying to put a positive spin on it but I feel so sorry for James. A lot of disappointed people in that arena tonight, but thrilled to be a part of Eurovision."

He also had plenty of support from fans such as Matt Lucas, who said: "We love you James Newman" and RuPaul's Drag Race star Michelle Visage., who said: "I am sending this tweet to James Newman and James only. You were INCREDIBLE."

But some people did not think Newman's performance was good enough, with Twitter account the Vinyl Frontier saying his singing could have been better. In contrast to the lack of points for Newman, it was delirium for Måneskin, who had been firm favourites despite their rock number not being typical Eurovision fare.

They are the first group to win the competition since 2006, and Italy last won in 1990.

Måneskin's Victoria de Angelis said after the show that their win was a boost for her country, which was badly hit by the coronavirus pandemic. "This is a message of hope after this hard year we've been through," she said.

Her bandmate David said: "That prize shows that this is not (a) cheesy event. This is a musical event."

The music charity responsible for Town Hall and Symphony Hall is delighted to announce the line-up for its first ever Jazz Fest, which will take place in front of live audiences from Monday 23 to Saturday 28 August. The week of music will showcase the full spectrum of jazz and includes performances from international touring artists to local community bands.

With a range of guest tutors in the city for this year's Jazzlines Summer School, Jazz Fest, in partnership with Jazz FM, will allow audiences to enjoy free and low-cost performances at The Spotted Dog in Digbeth, on stage at Symphony Hall and in Symphony Hall’s brand-new Jennifer Blackwell Performance Space.

Alongside Jazz Fest, the Jazzlines Summer School is set to return in 2021, as Symphony Hall opens its doors once again to young musicians from Birmingham and the surrounding areas. This year’s free, non-residential course will run from Monday 23 to Friday 27 August for young people aged between 11 and 19. Combining the Summer School with the Festival means that THSH can offer the chance for the young musicians to see and hear some of the best British talent in action, as well as learning alongside them.

Jazz Fest will present a series of ticketed, in-person live concerts in Birmingham over six days in August, subject to the successful roll-out of the government’s roadmap.

The artists announced for this year’s festival include headline shows from pioneering Birmingham-based saxophonist and rapper Soweto Kinch (Soweto Kinch Trio: Monday 23 August) and Jazz FM’s UK Jazz Act of the Year 2020, Yazz Ahmed (Yazz Ahmed Quartet: Wednesday 25 August).

Town Hall Symphony Hall’s Jazz Programme Manager, Mary Wakelam Sloan says, “This week-long celebration of jazz reflects the breadth that Town Hall Symphony Hall offers, giving a platform to early career jazz musicians alongside international stars. This inaugural 2021 festival will see us bring an array of exciting talent from the local and UK jazz scene to audiences in Birmingham with our programme of live music. We are thrilled not only to support the rich and diverse jazz ecosystem in the city but also to work with a range of industry professionals that help to create exceptional opportunities to experience live music.”

Additional acts lined up for the August programme include new trio Warmer Than Blood (guitarist Chris Montague, pianist Kit Downes and bassist Ruth Goller) and highly acclaimed, Birmingham-born jazz pianist Reuben James. Also performing will be the Paula Gardiner Quartet, the Romarna Campbell Trio, the Camilla George Quartet, the Daniel Casimir Quintet, and the ever-popular Notebenders, who will close the Festival with a host of new numbers.

The Festival will run in partnership with Jazz FM, the largest commercial jazz station in the world, and a passionate supporter of UK jazz education. Jazz FM will include a number of music and interview specials around Jazz Fest on their nationwide platform.

Full Jazz Fest programme:

Mon 23 Aug      Soweto Kinch Trio                     Symphony Hall Stage 19:30

Tue 24 Aug       Paula Gardiner Quartet          The Spotted Dog           19:30

Wed 25 Aug     Romarna Campbell Trio         The Jennifer Blackwell Performance Space 17:00

Wed 25 Aug     Yazz Ahmed Quartet                Symphony Hall Stage 19:30

Thur 26 Aug     Camilla George Quartet         The Jennifer Blackwell Performance Space 17:00

Thur 26 Aug     Warmer Than Blood                 Symphony Hall Stage 19:30

Fri 27 Aug          Reuben James                              Symphony Hall Stage 20:00

Fri 27 Aug          Daniel Casimir Quintet           The Jennifer Blackwell Performance Space 21:30

Fri 27 Aug          Neighbourhd                                 The Jennifer Blackwell Performance Space 22:30

Sat 28 Aug        Jazzlines Family Jam ft. Keiran McLeod The Jennifer Blackwell Performance Space 10:30

Sat 28 Aug        The Notebenders                        The Jennifer Blackwell Performance Space 13:30

A new outdoor exhibition showcasing photographs taken over the last five decades has opened in Birmingham’s Centenary Square.

Organised by Legacy West Midlands in collaboration with Birmingham Museums Trust, Freedom 50 celebrates 50 years of Bangladeshi independence and will be on display until the end of August 2021. The Freedom 50 exhibition presents 40 evocative images of protest, self-determination and emigration.

It includes images taken during the 1971 war in Bangladesh, and the protest that followed within the UK. Iconic images from the legendary Bangladeshi photographer Naib Uddin Ahmed are featured, as well as striking images taken by other professional and emerging photographers. Visitors to the free exhibition will also be able to learn about Bangladesh’s recent history and the settlement of Bangladeshi people in the UK via accompanying display panels.

In January 2021, Legacy West Midlands held an international open call-out for photographs for this exhibition. A host of great photographs were submitted from professional and amateur photographers in the UK and Bangladesh with the final photos selected by a steering committee that included representatives from arts organisations in Birmingham.

Aftab Rahman, Director at Legacy West Midlands said: “The response to our international call-out for photographs that could tell the story of 50 years of Bangladeshi independence was incredible with so many evocative and vibrant images submitted from both the UK and Bangladesh.

“The Freedom 50 exhibition has been an emotional journey for me, because of my Bangladeshi heritage. Creating the exhibition has allowed me to learn and reflect on the birth of Bangladesh. 

“Using photography from the past and present has allowed us to appreciate the journey Bangladesh has had through the decades and the footprint of British Bangladeshi's in the UK exemplifies a migrant journey that has not always been smooth We are delighted that, in collaboration with Birmingham Museums Trust, we are now able to share these remarkable images and the story of a young nation via a free outdoor exhibition.”

Curatorial and Collections Manager at Birmingham Museums Trust, Rebecca Bridgman, said: “We are pleased to have collaborated with Legacy WM to bring this unique outdoor exhibition to one of Birmingham’s largest public squares.

“The Forward 50 exhibition shines a light on Bangladeshi history, people and landscapes in a series of powerful and evocative images.” This is the first exhibition by Birmingham Museums Trust using new solar powered outdoor exhibition equipment.

The Freedom 50 exhibition forms part of a wider national initiative, combining a wide range of events and exhibitions, showcasing Bangladeshi culture during this important year. During the Freedom 50 programme, key events leading up to Bangladeshi independence 1971 will be recognised, along with the role of British Bangladeshis at the time.

The programme includes 50 blogs called ‘Kee Khobor’, a national bike ride, a special version of the annual Nowka Bais boat race, arts and sporting events, a theatre production, a gala dinner and much more. The Freedom 50 exhibition is organised by Legacy WM in collaboration with Birmingham Museums Trust with support from Arts Council England’s Cultural Recovery Fund, Birmingham City Council and Birmingham Rep.

Z2 Comics is partnering with Universal Music Group and Mercury Songs Ltd for Freddie Mercury: Lover of Life, Singer of Songs, the first-ever graphic novel paying tribute to one of the greatest figures the music world has ever known.

A first in the comics format, Freddie Mercury: Lover of Life, Singer of Songs will be a journey through Freddie’s life; from his childhood in Zanzibar and India’, through his formative years in England, to becoming the rock star, known and loved by millions around the globe. The story is told in his own words, with each chapter giving a glimpse into the many facets of his life.

Written by Tres Dean (All Time Low Presents: Young Renegades), the graphic novel will give true insight into the many experiences that helped shape the young Farrokh Bulsara and his compelling existence, both on and off stage—that was the life of Freddie Mercury, Lover of Life, Singer of Songs.

Following up on the tremendous success of the Oscar-winning 2018 film Bohemian Rhapsody, and inspired by the book Freddie Mercury: A Life, In His Own Words, compiled by Greg Brooks and Simon Lupton, this upcoming graphic novel will be another essential addition to the bookshelf or coffee table of fans new and old, sumptuously illustrated by Kyla SmithRobin RichardsonSafiya ZerrouguiTammy Wang, and Amy Liu, with accompanying cover painting by David Mack.

Freddie Mercury, universally recognised as one of the greatest performers in the history of rock music, lived up to his promise that he was going to become “a legend”. His action-packed life took in being an art student, triumphs as the lead vocalist and creative voice behind Queen and a spell as successful solo singer and songwriter in the 80s.

It was while studying at London’s Ealing Art School with a view to becoming a freelance artist that Freddie’s musical ambitions were realised. “The music thing just grew and grew. I realised it was the biggest thing in my life and I decided to try and make my living from it.” Meeting Brian May and Roger Taylor while performing with his band Wreckage, the three eventually decided to form a band together. John Deacon was enrolled into the band in early 1971 marking the beginnings of Queen as we have known them for close on 50 historic years.

Mercury persuaded fellow band members Roger Taylor and Brian May to change their name from Smile to Queen and remake the band as something ‘completely fresh’. “My concept of Queen was to be regal and majestic - no half measures.”

Queen’s 1973 debut album ‘Queen’ was hailed as one of the most exciting new developments in rock music of the time. While Queen rose rapidly through two albums and early hits, it was Freddie’s “Bohemian Rhapsody” that propelled the band into the super league. The immortal operatically styled single released in 1975 topped the UK charts for 9 weeks. A song that was nearly never released due to its length and unusual style remains one of the most recognised and lasting songs of the last half century. 

Freddie’s unique talents soon became clear, a voice with a remarkable range and a stage presence that gave Queen its colourful, unpredictable and flamboyant personality and through Freddie’s ability to project himself and the band’s music to the four corners of vast arenas they became known as the leaders of stadium rock.

While publicly recognised as the front man to one of the most progressive rock bands of the era, Freddie defied the stereotype.  Driven by an inherent excitement for venturing into new territories led Freddie to explore his interests in a wide spectrum of the arts, particularly in the areas of ballet, opera and theatre, even leading to a successful recording partnership with Spanish opera diva Montserrat Caballé.

Queen continued to release best-selling albums and make history but perhaps it was their Live Aid performance at Wembley Stadium, on 13 July 1985 that cemented the legendary status of Freddie and the band, not only going down in history as the day’s show-stopping event, but one of the greatest live performances of all time. Faithfully recreated for the Queen biopic “Bohemian Rhapsody” it helped elevate the film to become the highest-grossing music biopic of all time, a powerful testament to Freddie's spirit being every bit as central to the fabric of popular music today as it was during his unforgettable lifetime

A new 1,000-seat venue will be created on a derelict plot in Coventry for music, comedy and arts performances.

The Assembly Festival Garden, near the council house in the city centre, will also include a smaller 180-seat tent and an outdoor venue, said organisers. Event group Assembly Festival, involved with Edinburgh Festival Fringe for 40 years, will run the Coventry hub.

The space will be the centrepiece for events from July 1 to mid-October, said Coventry City of Culture Trust. Coventry's year as UK City of Culture officially launched with thousands of people tuning in to watch a short film posted on the festival website.

Its signature event Coventry Moves was originally due to coincide with the launch, but was moved to June 5 because of the coronavirus pandemic. Performances at the Assembly Festival Garden, on the site of the demolished former Civic Centre buildings, will take place in the Queen of Flanders double-decker Spiegeltent. Local food outlets and a box office will also be there.

Cabaret, circus events, comedy and children's shows will form part of the programme. The old buildings were demolished and the site cleared by owner Coventry University for development. It has handed over the space for free during the festival.

The culture trust said that trees and lighting will transform the space into one with a family-friendly festival vibe. Tickets are set to go on sale for the first major event at the end of May.

The site will eventually be home to Coventry University's new hub for academic and research facilities as well as public spaces for the wider community.

Following the release of her latest single ‘Your Power,’ and ahead of the July 30 release of her forthcoming album ‘Happier Than Ever,’ Darkroom/Interscope Records artist Billie Eilish has announced the first leg of her Happier Than Ever, The World Tour, set to commence in February 2022.
 
Starting February 3 in New Orleans, the 32-date North American arena run will be making stops across North America, before heading across the Atlantic for an 18-date arena tour across Europe and the United Kingdom, starting June 3. Remaining tickets will on-sale Friday, May 28, 12pm local in the U.S and Canada, and 10am local in the United Kingdom and Europe. To ensure tickets get in to the hands of fans, the tour has partnered with Ticketmaster’s Verified Fan platform in North America. Fans can register now through Sunday, May 23 at 11:59pm for the Verified Fan presale. Registered fans who receive a code will have access to purchase tickets before the general public on Wednesday, May 26 at 12pm local time through 10pm local time.
 
The seven-time GRAMMY Award winning artist and songwriter has also confirmed she will be continuing her work with sustainability partner REVERB for her Happier Than Ever, The World Tour, with the fan-facing Billie Eilish Action Village at each show which will focus on climate action and climate justice, hosting and supporting BIPOC and women-led environmental organizations as well as a comprehensive program via REVERB’s forthcoming Music Climate Revolution campaign. In addition to reducing the tour’s environmental footprint, the initiative will support projects that directly and measurably eliminate greenhouse gases. These collective efforts will make the tour Climate Positive; eliminating significantly more emissions than the tour creates.
 
2021 has already been quite the year for 19-year-old Eilish whose latest single ‘Your Power’ debuted at #10 on the Billboard Hot 100, logging more than 150 Million streams in the first two weeks of release. Earlier this year, she took home two additional GRAMMY Awards; Record of the Year for “everything i wanted,” and Best Song Written For Visual Media for her James Bond song “No Time To Die.” In February, her groundbreaking documentary film, ‘The World’s A Little Blurry’ -- directed by R.J. Cutler -- saw its Apple TV+ global release and received critical praise worldwide. Earlier this month, Billie Eilish made her book debut with Billie Eilish, a stunning visual narrative journey through her life. Published by Grand Central Publishing (GCP), the book features hundreds of never-before-seen photos, and captures the essence of Billie inside and out, offering readers personal glimpses into her childhood, her life on tour, and more. 

‘Happier Than Ever’ is out worldwide on July 30.

Until a few years ago, Peter Bowditch, 70, a retired Royal Mail employee, didn't know what UK grime or drill music was.

When his granddaughter would tune his car radio into stations rap and grime broadcasts, Pete would turn it off. "She was messing with my car radio stations and I thought 'what the hell is going on here?' and I changed them back," he recalls.

But over time, Pete stopped reaching for the dial and began to enjoy what he was hearing. "Then I thought, 'This ain't too bad'," he says. Pete decided to ask his friend, Basil Bellgrave, now 73, if he'd ever considered rapping.

"I thought we'd have a bit of a go," Bas says. Even so, very few would have predicted that the two grandfathers would end up becoming major players in UK drill.

Pete and Bas are both south London born and bred.

Before embarking on a career in music, Pete worked for Royal Mail and Westminster Council. Bas's background is shrouded in mystery - and he likes to keep it that way. As a child, Bas says his father owned a bare-knuckle boxing ring. He has previously claimed to have worked as a lawyer and to have served in the army, while there are rumours he worked as a bouncer in the 1970s. During a previous interview with online channel Noisey Raps, Pete drove Bas around London, where he regularly exited the car to drop off packages.

Asked what he was up to, Bas declined to comment. He said that he worked as a helicopter engineer and a carpet seller.

Asked about the various stories and rumours circulating online about his background, Bas says: "These legends are a bit like Robin Hood aren't they? Some bits are true and some are not. We're a long way from Sherwood Forest though aren't we?"

One part of his story that remains consistent is that he taught piano - and that is how the pair met half a decade ago. Pete walked into a shop in south London "on a little bit of business" and heard the sound of a piano coming from a back room, where Bas was giving a lesson. Intrigued, Pete stuck around and introduced himself.

"We've been lifelong friends... for the last five years," Pete says. It was around this time that Pete, who is a huge fan of The Specials and Madness, was introduced to rap and grime through his granddaughter. He eventually persuaded Bas, a Frank Sinatra fiend, to give his newfound love a listen.

Bas also took a liking the menacing beats and street-smart storytelling of drill, and the pair started writing lyrics in 2017 - bouncing ideas of some of the younger members of the family.

"I talk to my grandkids and their friends and they just let us know the new idioms - what's going on now," says Pete.

"For example, we always thought we were good, then they say sick, they say fire, then they say you're cold, but it all means the same thing." Then Pete & Bas wrote their first song, Shut Your Mouth, which was released on new year's day in 2018.

Within days, it started racking up views on YouTube, while people sought to find out more about these two retired grandads and their blend of modern day and traditional cockney slang. Many thought the song was just a one-off gimmick, but Pete & Bas dropped more songs that year, including Do One and Dents In a Peugeot, as their popularity started to grow.

By 2019 they were releasing songs on major UK rap platforms GRM Daily and Pressplay Media. Both say it was around this time that they noticed a change in the way people were reacting to their music.

"When they first look at it they think, 'This is a laugh, it's a bit of comedy, it's a wind up'," Bas says. "Then they listen to it and they think: 'It's not just funny it's good. It's actually better than a lot of what we've heard'."

Their first live show consisted of around 20 people in a pub in London's Blackheath. By 2019 they were selling out shows across the UK (the tour bus consisted of Bas's campervan) and they even played a show in the party resort of Ayia Napa in Cyprus, where they were pulled over by police while driving mopeds.

"They got out of their car and put their bat under their belt and we thought, 'What the hell have we done now'?" Pete says. "They walked up to us and said, 'Can we have a selfie?'"

Then came 2020 and Covid-19. With both categorised as high risk, the pandemic has been a difficult period for the pair. Pete has lost friends to the virus.

But like many up-and-coming UK rappers, their popularity grew during lockdown. In December, they released Old Estate with M24 - one of the biggest names in UK drill. The genre polarises opinion. With its often provocative lyrics, it's been blamed by police for fuelling gang violence; and drill videos are increasingly being used as evidence in trials.

But its defenders say the genre gives a raw and unfiltered insight into the darker side of life on the country's inner-city estates, and can offer a way for young people to escape the situations they're describing. The image of UK drill rappers often portrayed in the media is a far cry from how Pete & Bas have found them.

"It's very unusual, you wouldn't expect them to be so friendly. They have been very supportive," Bas says. Last month, the stock of Pete & Bas grew even further with their appearance on Plugged In With Fumez The Engineer - one of the biggest platforms in UK drill.

Their performance is already one of the most viewed Plugged In freestyles ever - hitting 5 million views in a month. They now have growing fanbases across Europe, the US, Australia and Japan.

"It does make you wonder what they make of it in Japan, I can't figure it out. But if you want us in Japan we'll be there," Bas says. "We get stopped on the street now. Some of the older men and ladies stop us and say, 'My grandson reckons you're great', and ask for a selfie for their grandson," Pete says.

"It's for them really, innit?" Bas says. But opinion within their own families about their newfound fame is mixed. Pete says he's a "hero" in the family.

"Not quite so much in my family, to be truthful," Bas says. "It's a bit of an elephant in the room, I suppose. I think you're only here once and you've got to make some waves before you go. I think they're maybe thinking it's time he settled down and quietened down a bit."

With lockdown restrictions easing, Pete and Bas have big plans for the years ahead. They have a full UK tour in the works and are in talks with major artists for further collaborations.

"If I wasn't doing music I'd probably be up to no good," Pete says. "The music has changed everything."

"I'd be sitting in my armchair with my feet up the chimney waiting to die," Bas adds. "We're really living life to the full now."

Gasoline & Matches became the first artists to perform live music to a live audience of invited guests in the new state-of-the-art performance space at Symphony Hall on Tue 18 May 2021.

Speaking moments before their set, the multi award-winning duo said: "We're very humbled, honoured and privileged to be here at the Symphony Hall today."

Music is at the heart of the redeveloped public spaces in Birmingham's internationally renowned concert hall. The new performance facilities, delivered with funds raised prior to the global pandemic, will offer local artists even more opportunities to make music as part of an exciting programme of free and affordable events and activities.

Nick Reed, Chief Executive for the music charity responsible for Town Hall and Symphony Hall said:

“Music will play a powerful role in reuniting communities after the isolation and hardship of the past year. We hope that Symphony Hall will be a beacon for that reconnection. We are immensely grateful to all the funding partners who have supported the project, and the thousands of individual donors who have put their faith in the power of music.” 

For the first time, Birmingham’s world-renowned concert hall now boasts a dedicated entrance from Centenary Square – which is itself undergoing major redevelopment to provide a high-quality public realm within the second city.

With their debut single ‘Fool’s Gold’ topping the UK iTunes Country Chart, a headlining performance at The Hard Rock Café London and a five date Californian tour in the bag, Birmingham-based duo Gasoline & Matches were quick to prove why they were named as Lyrics Magazine’s ‘Artists to Watch’ in 2018. Sally Rea Morris and Steve Marks deliver a unique blend of Fleetwood Mac-esque harmonies, Brad Paisley-infused guitar solos and energetic live performances.

The music charity responsible for Town Hall and Symphony Hall continued to bring music to the people of Birmingham and beyond through the last year. Digital broadcasts filmed at the iconic venues now amass over half a million views since they began in April, with a diverse range of artists having performed to online audiences, including Lady Sanity, Soweto Kinch, Tom Aspaul, Xhosa Cole, Lauren Zhang, Braimah Kanneh-Mason and Gasoline & Matches. 

Supermodel Naomi Campbell has become the mother of a baby girl. She announced the news on Instagram as she shared a picture of her hand holding the baby's feet.

She posted on the social media website: "A beautiful little blessing has chosen me to be her mother, so honoured to have this gentle soul in my life." Her mother, Valerie Morris Campbell, also posted on Instagram: "I'm beyond thrilled as I've waited a long time to be a grandmother."

Known for her charity work, and founder of ‘Fashion For Relief’, a charity merging fashion and philanthropy, the ‘Queen of the Catwalk,’ 50, who was discovered as a schoolgirl before going on to become the first Black British model to appear on the cover of British Vogue.

Naomi previously spoke of her desire to have children, when, in 2008, she told Vogue Arabia: “I’d love to have kids. I don’t discount anything in life. I love kids and always will.”

She has yet to reveal her baby girl’s name and has not shared a photo of her face.

Goodwood is proud to announce that the Central Feature at the 2021 Festival of Speed presented by Mastercard will celebrate Lotus. The iconic Norfolk brand is best known for its pioneering road and race cars, including the spectacular all-electric Evija hypercar.

From the first sculpture in 1997 to the present day, the Goodwood Festival of Speed has become known for its creative and daring Central Features, which celebrate the greatest achievements of a different manufacturer or milestone each year through art.

Lotus was last selected as the Central Feature marque in 2012, with a 3D infinity loop sculpture that celebrated the singularity of purpose of a Lotus race car. However, this year’s sculpture will take an exciting new and immersive direction. It is being created using an entirely new design philosophy; while the sculpture itself is guaranteed to be just as visually stunning as previous years, it is also set to be more interactive and accessible for those joining from home.

This new approach aligns perfectly with Lotus’ development of innovative technology and its engineering-led approach to design and manufacturing, as well as complementing the long and often intertwined histories of Goodwood and Lotus.

Among the many records broken by Lotus, the Type 25 still holds Goodwood Motor Circuit’s period lap record. In the course of winning the last ever Formula 1 race at Goodwood, on Easter Monday 1965, Jim Clark in a Lotus 25 tied for fastest lap with Jackie Stewart, in a time of 1m 20.4. The record stands as a tribute to the skill and bravery of the drivers and to the passion for lightweight engineering and innovation that thrives at Lotus to this day.

At this year’s event, Lotus will give a public dynamic debut to the Emira, its all-new and eagerly anticipated sports car. Developed as part of the ongoing transformation of Lotus which has captured the imagination of car enthusiasts worldwide, the Emira will set new standards of technology, comfort, functionality and everyday useability for Lotus. It goes into production later this year at an all-new manufacturing facility at Hethel, Norfolk – the home of Lotus since 1966.

Commenting on the announcement, the Duke of Richmond said, "We are delighted that Lotus will star as the Central Feature at this year's Festival of Speed presented by Mastercard. Lotus cars raced with great success at Goodwood throughout the 1950s and ‘60s, including setting the ultimate lap record in 1965, and this year’s Central Feature will serve as a fitting landmark to their past, present and future achievements. The sculpture looks set to be one of the most dramatic and futuristic yet, bringing in elements of interactivity for modern audiences that align with Lotus’ future-facing attitude and outlook.”

Simon Clare, Executive Director, Marketing, Lotus Cars, added, “Everyone at Lotus is very excited by the opportunity to be the Central Feature at the Festival of Speed. This year is a hugely significant one for the transformation of Lotus, and to be giving a public dynamic debut to the Emira at a location so closely associated with Lotus’ success and spirit of innovation will be great for those who can attend, physically or virtually.”

More details will be released ahead of the event, including how visitors and fans across the world can interact with the Central Feature in a new and unique way.

Willie Jones broke barriers in country music with his song “American Dream” and revolutionary debut album ‘Right Now’ earlier this year. Now he shares “Down by the Riverside,” his first release since signing with Sony Music Nashville in partnership with The Penthouse.

“Down by the Riverside” was written by Jones, Josh Logan, and Jason Afable – who also produced it. It’s an electrifying party anthem that finds Jones embracing his Deep South Louisiana roots and all that he was raised on — from crawfish and cornbread to a two-step shuffle. Jones is notorious for his ability to “slide expertly between traditional country flourishes, R&B inflections and hip-hop patterns in two different octaves” (NPR), and he does just that on “Down by the Riverside,” blending swampy banjo and harmonica sonics of the dirty south with beat-heavy R&B.

“This song is straight Louisiana jambalaya: Swampy, Sexy and drippin’ all over the floor,” says Jones. “Jason, Josh and I have a great chemistry and this one hits hard from that first harmonica lick and keeps you greasy ‘til the end.”

With over 51 million streams across tracks, “Down By The Riverside” is the follow up to Jones’ critically acclaimed debut record ‘Right Now’, which led to his Grand Ole Opry debut this past March and a performance of the poignant “American Dream” on NBC’s The Tonight Show Starring Jimmy Fallon.

EBONY recently named him one of the five artists who are the future of country music, calling him a "a renegade who only wants to push the genre to change and move forward,” and he’s been named an artist to watch by Rolling Stone, PEOPLE, ET, Wonderland, Spindle, tmrw, Fabulous, Maverick and more. His “American Dream” music video was nominated for Video of the Year for the 2021 CMT Music Awards.

Jones is expected to release more new music this year. In the meantime, visit williejonesmusic.com

Wolverhampton Art Gallery has been welcome back visitors from yesterday.

Following the Government’s announcement about the easing of lockdown restrictions the team at the Lichfield Street gallery have been preparing new exhibitions as well as putting measures in place to ensure that the building is safe for both staff and visitors.

Measures include track and trace as required by the NHS, a separate entrance and exit and a one-way route around the gallery. Face coverings will need to be worn whilst in the gallery and sanitisation stations will be available. There will be an alternative accessible route available for those who need it.

To celebrate the opening, visitors are now able to see ‘Fantasy Pop,’ a new exhibition of works from the gallery’s renowned collection, which highlights elements of fantasy found in Pop Art. Another new exhibition, ‘Fantasy or Reality?’ draws on the strong collection of artworks and objects from around the world to explore the connections between art and fantasy. Both shows are forerunners for our family summer exhibition ‘BRICKLIVE Fantasy Kingdom,’ which runs from July 3 until September 5, featuring life-sized models of mythical creatures, knights and wizards.

A special feature within the gallery is ‘The Wall of Heroes,’ a mural created by staff from The Royal Wolverhampton NHS Trust to celebrate International Year of the Nurse and Midwives 2020.

Visitors will also have another chance to see Stellar: Stars of our Contemporary Collection, on until June 20, The [Spaces] In-between, on until May 23 and ‘Windrush Generation Experiences Online’, on until June 4.

City of Wolverhampton Council Director of Regeneration, Richard Lawrence, said: “The team at Wolverhampton Art Gallery has done a fantastic job in making art accessible to all during lockdown and like them I am delighted we are able to open again.

“There is still a chance to see a number of fantastic exhibitions that unfortunately had to close early, but we also have a number of new and exciting exhibitions that visitors can see. In line with the Government guidance a number of social distancing measures have been put in place to ensure the safety of staff and visitors as residents’ safety is paramount in everything we do.

“I do hope residents will take this opportunity to indulge in art again and explore the collection and touring exhibitions as we look forward to the year ahead.” Throughout 2021 there are a number of exciting developments at Wolverhampton Art Gallery that will improve the visitor experience.

“The Art Gallery Improvement Scheme commences in June where the first-floor café will be relocated to the ground floor as well as further development to the existing galleries, there will be a new ramped entrance/exit into St Peter’s Garden as well as fantastic conference facilities available. In January 2022 the city will be host to the largest touring contemporary art exhibition British Art Show 9 that will be on display at the Art Gallery and the University of Wolverhampton School of Art. There will also be a number of in-house and touring exhibitions at the Lichfield Street gallery.

All exhibitions are free, and Wolverhampton Art Gallery will be open Monday to Saturday (10.30am until 4.30pm) and Sunday (11am until 4pm). Entry to the gallery is free. The first-floor café will also be open, serving a limited menu.