An exhibition has opened for passengers at London Euston explaining the fight of a pioneer for race equality who overturned a racist recruitment policy at the station in the 1960s

Asquith Xavier was a guard with British Rail and was denied a promotion based on the colour of his skin in 1966. Despite being the year after the 1965 Race Relations Act banning discrimination in public in Britain, the law did not cover workplaces.

With union backing, Asquith fought the policy in the courts, lobbied MPs and the government and on 15 July British Rail bowed to mounting pressure and scrapped its ‘whites only’ recruitment policy. His success is now the focus of an exhibition on Euston Station’s concourse which was opened by his daughter Maria.

Network Rail has also produced an educational leaflet in partnership with Mr Xavier’s family in the hope his determined fight for racial equality can be taught in schools today.

The learning resources have been sent to 1,150 primary and secondary schools in Network Rail’s North West and Central region, which spans from Euston to the West Midlands, North West and Cumbria.

Some of the first children to learn about Asquith’s life using the new materials were from Netley Primary School who met his family at the opening of the exhibition.

Asquith’s daughter Maria said: “My brothers, sisters and I see this exhibition as a great opportunity for our father’s fight for racial equality within the workplace to be recognised.

He faced racial threats to his life, whilst attending court and work and had to have police protection during this time.

“Our father’s actions, we believe, initiated changes made to the Racial Equality Act of 1968, paving the way for other unsung heroes within the workplace and the UK.”

Network Rail’s West Coast South route director, James Dean, said: “Asquith Xavier is a name many children today will never have heard of, but this exhibition and education leaflet aims to change that. I’m immensely proud that we have been able to work with Asquith’s family to tell their story, simply to be treated fairly in the workplace, to the next generation.

“His determination and courage need to be known far and wide because even though this happened 55 years ago, our society still has some way to go to ensure everyone is treated the same regardless of their ethnicity, religion, sexual orientation or gender.”

Loraine Martins, director of diversity and inclusion for Network Rail, said: “It’s extremely poignant that this exhibition is here at Euston. This is where Asquith Xavier became the first black train guard by challenging a colour bar, which was British Rail policy at the time.  Asquith Xavier did this in the face of great adversity and threats to his life.

“Network Rail is fully committed to being a company where each individual is valued, respected and encouraged to reach their full potential. In keeping with his memory, we’re working hard to ensure our workforce better represents our customers and society as a whole. We will continue to make the best use of our people’s talent and capabilities to provide real opportunities for their professional development.”

The exhibition about Asquith Xavier’s achievements, part of Network Rail’s 2020 Black History Month programme of events, will be on display at Euston station for the next six months.

A link to download the education pack can be found at: https://www.networkrail.co.uk/stories/black-history-month-exhibition-honours-asquith-xavier-at-london-euston/

The opening was a true hybrid event featuring live-stream feeds from individuals who were being interviewed on Zoom by Corin Crane, Black Country Chamber of Commerce Chief Executive, who was live in a broadcasting studio. 

The speakers comprised a mix of live and recorded interviews, and featured: Andy Street CBE, West Midlands mayor; Adam Marshall, director general of the British Chamber of Commerce; April Pearson Myatt, finance director at Top Tubes; Cllr Patrick Harley and Kevin O’Keefe, chief executive, both from Dudley Council; Jon Kiteley, area director of Balfour Beatty; Anita Bhalla OBE, chair of West Midlands Leadership Commission and Calum Nisbet, the new commercial director at the Black Country Business Festival.

Interviews were beamed onto digital screens on ‘the sofa’ as though the guests were physically in the studio with Corin, and the entire event appeared as a complete production with a 'TV show' feel. Anyone unable to see the event live show can catch the recording on the Business Festival website.

This is the third Black Country Business Festival – an annual event that aims to bring the business community together to incite learning, sharing, networking and business growth.

Postponed from its original May dates due to the Coronavirus, the festival will be running for the next fortnight, with nearly 100 different business events taking place. Most are digital with the festival being adapted with the added facility for event organisers to host their events online.

Corin said, “Like all things COVID19-related, the Festival has, in the main, successfully moved to being fully ‘hybrid’ in format. There are a handful of in-person and hybrid events in the programme but the majority are digital. There are nearly 100 free business events in total which really demonstrates the breadth, diversity, innovation and strength of the region.

“We have been bowled over by the engagement levels so far - never has an initiative been more critical to those of the Black Country and beyond, providing the opportunity to collectively come together during these testing and challenging times, showcasing what is has to offer and present its united economic strength. By doing so, BCBF aims to place the region’s activities front and centre of the UK’s business agenda to drive inward investment and economic growth, through coherent, united and consistent outward promotion of the region’s business activities; whilst not least providing support, guidance and knowledge sharing to those who make up our business community – businesses themselves.

“The Festival will place Black Country businesses at the heart of UK business agenda through its demonstration of the region’s innovation, culture and commerce, it’s truly now a national event, that happens in the Black Country.”

Anita Bhalla added, “I think this festival is great. It shows that we can bring thousands of people together [metaphorically speaking]. It shows the imagination in the region and the sheer talent that exists. What we now need to do on the back of the festival is to build on it and there is a great potential to do that. So well done to everyone that has got behind this initiative.”

The latest research from estate agent comparison site, GetAgent.co.uk, has revealed that Man City tops the table where the amount spent in the transfer market is concerned when related to the average cost of buying in the city.  

GetAgent.co.uk took the total spend from each team in the Premier League and looked at how many homes it could purchase in their respective towns based on the current average house price.  

On average, Premier League teams have spent just over £62m in the transfer window. With the average house price in Premier League areas currently £299,318, that’s enough to have purchased 207 homes.

At £226.1m, Chelsea is the team to have flashed the most cash accounting for 18.2% of total spend across the league. However, with the current average house price in Hammersmith and Fulham sitting at £702,961, the club’s spend is enough to purchase 322 homes in the borough. Placing them seventh in the transfer property purchase rankings.

Manchester City tops the table. The club has spent £147m in this transfer window, the second-highest in the league with 11.8% of total spend. With a far more affordable average house price of £170,192 in Manchester, the club could have afforded a whopping 864 properties with the money spent on new signings.

Liverpool takes the second spot, with their transfer expenditure of £81.7m enough to have purchased 608 homes in the city at the current average price of £134,411.  

Wolves (528), Everton (484), Aston Villa (451) and Leeds (450) also spent enough to have bought a considerable number of properties in their local cities.  

Despite being home to the lowest average house price of the lot at £91,505, Burnley also spent the least in the current transfer window (£990k). As a result, they sit bottom of the table with their transfer expenditure enough to have purchased just 11 properties in the local area. 

Brighton and Hove (12) and Fulham (33) were also home to some of the lowest Premier League property transfer spends.  

Founder and CEO of GetAgent.co.uk, Colby Short, commented: “The cost of getting on the ladder and the money spent on modern-day footballers are both well documented, but when you add the two together, it makes for some depressing reading.

While many homebuyers are rushing to secure a few thousand pounds discount in stamp duty, Man City has just spent enough to buy nearly 900 homes in Manchester. 

The high cost of getting on the ladder today puts these figures into perspective in terms of the sheer amount spent on footballing talent. Even at the bottom end of the table, Burnley has spent enough to buy eleven homes in the area when many regular homebuyers would gladly settle for one.” 

Businesses across Wolverhampton are being reminded they must, by law, create and prominently display NHS Covid-19 app posters at their venues. The posters feature a QR code which customers and visitors can scan using the app to safely and securely 'check in' on arrival. Customers will receive an alert if they have recently visited a venue and potentially come into contact with someone with coronavirus.

Posters must be displayed by law by all restaurants and bars, cafes, pubs; amusement arcades; art fairs; betting and bingo halls; casinos; clubs providing team sporting activities; facilities for use by elite and professional sportspeople; heritage attractions; hotels and other guest accommodation; indoor sport and leisure centres; outdoor swimming pools and lidos; museums and galleries; music recording studios and public libraries.

Close contact services including barbers, beauticians, dress fitters, tailors and fashion designers, hairdressers, nail bars and salons, skin and body piercing services, sports and massage therapists and tattooists must also display posters in a prominent location so that visitors can check using the app. If customers don't have a smartphone or are unable to download the app, businesses should take contact details manually for Test and Trace purposes and have the right to refuse entry if these are not supplied.

Councillor Jasbir Jaspal, the City of Wolverhampton Council's Cabinet Member for Public Health and Wellbeing, said: "The more people who are able to use the app, the better it will work – helping us get ahead of the virus, preventing further deaths, lockdowns and disruption to the economy.

"I would encourage everyone with a smartphone to download the app – and ask businesses and community venues to ensure they are displaying their posters so that customers can check in when they arrive.

"It's great to see that so many of those venues which must, by law, display their posters are doing so, and I urge others to fulfil their legal obligation by doing the same."

The council last week launched the Covid Compliant scheme to recognise the vast majority of city businesses which are keeping customers and staff safe during the pandemic. Businesses which have passed an inspection by the council’s commercial regulation team are given green tick ‘Covid Compliant’ signage to display in their windows.

The Covid Compliant scheme aims to provide reassurance to the public, increase customer confidence and encourage people to support local businesses.

People with compatible smartphones are encouraged to download the NHS Covid-19 app, which also allows users to report symptoms, book a test and keep track of when any period of self-isolation is due to end, by visiting the AppStore or Google Play. For more information, please visit www.wolverhampton.gov.uk/covid-19-mobile-app or www.covid19.nhs.uk.

Symptoms of Covid-19 include a fever, a new, continuous cough and loss or change to a person’s sense of taste and smell. People with symptoms, no matter how mild, should immediately self-isolate and book a test by visiting www.nhs.uk/coronavirus or calling 119.

Anyone who tests positive for Covid-19 will be contacted by NHS Test and Trace and will be asked to share information about people that have been close contacts recently.

Rapper Killer Mike has partnered with civil rights legend Andrew J. Young and entrepreneur Ryan Glove to launch the country's newest Black-owned bank and financial institution. Having already secured $3 million in seed funding from private investors, Greenwood Bank will be the first digital banking platform for Black and Latinx people and business owners.

Greenwood's initial products are savings and spending accounts that come with a stunningly designed black metal debit card for customers who sign up by the end of the year. Advanced features like Apple, Samsung, and Android pay, virtual debit cards, peer-to-peer transfers, mobile check deposits, and free ATM usage in over 30,000 locations are offered with no hidden fees. Customers who invite their friends to open accounts receive cash awards as a thank you from Greenwood. All deposits are FDIC insured by a partner bank.

Glover, who is also the founder of Bounce TV, said: "It's no secret that traditional banks have failed the Black and Latinx community.

"We needed to create a new financial platform that understands our history and our needs going forward, a banking platform built by us and for us, a platform that helps us build a stronger future for our communities. This is our time to take back control of our lives and our financial future. That is why we launched Greenwood, modern banking for the culture."

"Today, a dollar circulates for 20 days in the white community but only six hours in the Black community," said Michael 'Killer Mike' Render. "Moreover, a Black person is twice as likely as a white person to be denied a mortgage. This lack of fairness in the financial system is why we created Greenwood."

Ambassador Young said: "The work that we did in the civil rights movement wasn't just about being able to sit at the counter. It was also about being able to own the restaurant"

"We have the skills, talent and energy to compete anywhere in the world, but to grow the economy, it has to be based on the spirit of the universe and not the greed of the universe. Killer Mike, Ryan and I are launching Greenwood to continue this work of empowering Black and Brown people to have economic opportunity."

The Greenwood name pays homage to the prosperous "Black Wall Street," part of the Greenwood District of Tulsa, Oklahoma, during the early 20th Century -- a centre of African American enterprise, entertainment, skills, wealth and investment capital.

The latest research by the world's leading high-net-worth mortgage broker, Enness Global, has revealed the cost of buying at the top-end of the market across each Commonwealth nation and how it differs both globally and with or without the Queen as head of state.

Enness analysed available house price data across 54 Commonwealth nations and found that on average, a high-end home will set you back £1.587m.  

Commonwealth nations located in Asia commanded the highest high-end price tag with an average of £2.358m, followed by Europe (£2.255m) and the Pacific nations (£2.058m).

16 remaining realms within the Commonwealth still recognise the Queen as their head of state, although this could soon be 15 with Barbados stating its intent to become a republic next year. 

However, the nation may want to think twice from a property point of view. The average high-end house price in nations with the Queen still at the helm is currently £2.086m; 49% higher than those without (£1.402m).

That said, Singapore ranks top of the Commonwealth house price table despite the Queen not heading the state. The average cost of a high-end home is currently £11,657,759, by far the highest of all Commonwealth nations.

The Queen remains head of state for the following five most prestigious Commonwealth property markets though. Australia (£3.348m) is home to the next highest house price for a prime Commonwealth property, followed by the UK (£3.208m), New Zealand (£2.896m), Canada (£2.630m) and Antigua and Barbuda (£2.318m).

South Africa, Malta, Guyana and the Maldives also rank within the top 10 for the highest property values for a prime property.

Group CEO of Enness Global Mortgages, Islay Robinson, commented: “Regardless of your views on the British monarchy, there’s no denying that the Commonwealth as a whole brings huge benefit to its member nations in terms of free trade and economic development, amongst other things.

As a result, these nations remain very attractive to other Commonwealth buyers looking to invest outside of their native county, and this is reflected in the robust price of bricks and mortar across these member states.

Of course, this isn’t to say that you can’t secure a prime Commonwealth property for a relative bargain. Still, many of the Asian, European, Pacific and Caribbean hubs will set you back at least a few million pounds for an impressive prime property.”