Vet charity PDSA is urging pet owners to take action now to prevent millions of pets suffering from extreme distress and trauma triggered by fireworks.

Research by PDSA has revealed that the owners of a staggering eight million dogs and cats* report that their pets are afraid of fireworks with more than a thousand pets** being seen at its pet hospitals in the last 12 months for fireworks-related issues such as phobias and injuries.

PDSA Senior Vet, Sean Wensley, explained: “The PDSA Animal Wellbeing Report found that around 40% of UK owners of cats and dogs report that their pet is afraid of fireworks, and anyone who has seen their pet go through this misery knows how serious their anxiety and fear of firework sounds can be. Many shake and tremble, are unable to settle, toilet in the house, destroy furniture, and can even cause themselves physical injury if they panic, try to escape or run away.”

To help pet owners reduce their pets’ fears, the charity is urging people to take action early. Thanks to funding from the players of People’s Postcode Lottery, PDSA’s expert vets have produced a step-by-step Fireworks Ready guide for owners to help them prepare their pets. Go to pdsa.org.uk/fireworksready

Sean continued: “For young pets, careful management of their first experience of fireworks can prevent these fears from developing in the first place. For older pets who are already suffering, reward-based behaviour techniques can be very effective. Both of these approaches take time and patience, so it’s important to start early; in puppy or kittenhood for young pets, and well before fireworks season for older ones.”

PDSA’s Fireworks Ready action plan takes owners through the process of preparing pets for fireworks season, use of pheromones and sound CDs, how to build a noise-reducing fireworks den for pets, plus a checklist for the day itself.

PDSA hopes to help pets like Zakk, who ended up with severe but unexplained injuries to his legs and paws after he was spooked by fireworks. His owner had let him out into their garden when a neighbour suddenly set off fireworks – Zakk panicked and jumped over the gate. He was eventually found the next day covered in blood caused by nasty cuts to his paws. He was taken to a PDSA Pet Hospital where his wounds were treated, but it took a month for them to heal.

Sean commented: “We don’t know exactly what caused Zakk’s injuries – he could have been hit by a car, or cut himself on something as he panicked. But his story highlights how important it is to be aware of the significance of firework phobia for pets and to know that help is available from your local veterinary practice.”

PDSA’s advice on preparing pets for fireworks

• If you own a young puppy or kitten who will be having their first experience of fireworks, read up on the process of socialisation. This is when young pets are gradually introduced to various people, objects, sounds and experiences during their first few months, which can significantly reduce the likelihood of fears developing in later life.
• If you have an older pet who already shows signs of fireworks phobia, using a CD for noise-phobic pets to gradually get them used to the sounds of fireworks may help. Build up the volume and duration very gradually over a period of weeks, and ensure you remain calm and relaxed whenever you play the sounds, so your pet learns there is nothing to be afraid of.
• Build a ‘fireworks den’ for your pet, somewhere they feel safe. For dogs, this may be behind the sofa or under a table - cover it with blankets and line it with pillows or cushions to absorb some of the noise. Cats often feel safest when high up, so a safely secured, covered cat bed on top of a wardrobe or shelf may be their preferred option. Build it a few weeks ahead of fireworks season, and give your pet healthy treats or praise when they use it so they build a positive association, but don’t force them to use it.
• Ensure that cats and dogs are microchipped (this is a legal requirement for dogs anyway), so that if they run off in panic, they can be quickly reunited with their owner when found
• Use pheromones – these are available as diffusers, which release scents which are undetectable to humans, but have a calming, reassuring effect on our pets. They are available for dogs and cats, and should be used for several weeks leading up to fireworks season.
• For severe phobias, we recommend speaking to your vet, who will be able to discuss various options including referral to an accredited behaviourist.

Researchers, curators, art historians, critics and artists from across the world will be converging in Birmingham (UK) this week as part of a major international conference focusing on Chinese art that has been made and showcased outside the confines of the traditional museum or gallery.

Taking place between Thursday 12 and Friday 13 October in the School of Art at Birmingham City University, the symposium has been organised by the institution’s Centre for Chinese Visual Arts (CCVA), marking the cluster’s 10th annual conference and under the topic ‘Chinese Art outside the Art Space’.

Professor Jiang Jiehong, Director, Centre for Chinese Visual Arts, Birmingham City University, said:

“After holding CCVA symposia elsewhere in China and the UK, we are delighted to be hosting our landmark 10th annual conference back here at Birmingham City University, where the centre was formed and continues to flourish.

“Using our unique position in the UK, the CCVA continues to question the existing histories of Chinese contemporary arts, design media and visual culture, while fostering new ways of thinking transculturally in relation to today’s global-Chinese situation. This year’s conference topic of Chinese art outside the art space has attracted some of the field’s greatest thinkers, and so we expect two days of lively debate and discussion.”

Historically, in China, ‘art outside the art space’ can be understood as both a cultural and a political proposition. From a cultural point of view, the notion of public ‘exhibition’ is entirely Western, whilst in the Chinese tradition of literati art for example, artworks were made, shared, and appreciated within the form of scholarly ‘elegant gathering’ (yaji), which was essentially a kind of private (rather than public) event within secluded (rather than institutional) spaces.

From a political perspective, the ‘outside-ness’ immediately relates to the ‘unofficial’ status of contemporary Chinese art from its early development. For example, the first Star Group exhibition in September 1979 – generally acknowledged as the very first show that marked the beginning of contemporary art in China – was staged in a small public park just next to the China National Art Museum, outside the legitimated and official art space.

Hiu Man Chan, Research Assistant, Centre for Chinese Visual Arts, said that the situation of Chinese art taking place outside the museum and gallery spaces continues, but with a completely different momentum and agenda:

“From shopping malls to office blocks, and Lujiazui in Shanghai to Beijing’s 798 Art Zone, contemporary works have been produced site-specifically for spaces other than art institutions in China for nearly 40 years. These artworks have ‘happened’ in the public sphere and become political or social ‘events’, or even artistic ‘incidents’, as a special form of ‘exhibition’.

“However, more recently, creative curatorial and artistic strategies have been systematically developed to respond to the constraints of art institutions, censorships and, at the same time, to push the boundaries of art.”

Focusing on art made, displayed, performed or executed outside the conventional venues of art museums and galleries, this conference not only offers a unique perspective to understand Chinese art in the contemporary context, but also, more importantly, it aims to critically reflect upon the understandings between art and art exhibition, between artistic productions and audience perceptions, and between art and our daily life.

The conference will also hear from three international keynote speakers, including Karen Smith, a British curator who has been working in China for many years, and is now Lead Curator at OCAT Xi’an, China. Elsewhere, Pauline J. Yao, Lead Curator for Visual Art at M+, Museum for Visual Culture in Hong Kong will give her thoughts on Chinese ‘art outside the art space’, as well as Scott Lash, Professor of Sociology and Cultural Studies at Goldsmiths, University of London.

Discover the finest view in England aglow once more from 24 November 2017 – 1 January 2018. For the second year running Blenheim Palace's 2000 acres of 'Capability' Brown landscape and Formal Gardens will be transformed into an illuminated wonderland.

Zoe Bottrell, Director Culture Creative says: “I'm excited to return to Blenheim Palace and begin to transform the UNESCO World Heritage Site landscape. Having experienced the creative challenge of lighting the Parkland for the first time in 2016 I am excited to push the boundaries further with bigger and bolder installations, music and illuminations.”

The magical trail will wind through the landscape, highlighting Blenheim Palace's rich history, all with the magic and wonder of the festive season. New and returning visitors can expect to see the trail take a different path, allowing them to discover and interact with the festive scenes and seasonal experiences in a new way.

The trail once more winds along the Great Lake, which will have four different scenes of floating brilliance including 300 illuminating boats crossing from side to side.

The iconic lake will also feature a giant Ducal crown, based on the Duke of Marlborough's own formal crown. The magnificently lit crown will tower above the audience with a 20m fountain erupting from its centre.

Once more the rushing Cascades will be transformed into a festive wonder, this time the giant waterfall will be covered in flames!

Enchanting for all, the creative take on Santa's toy workshop will see the Palace's lakeside Boathouse become a hive of activity. A small pause along the path with allow visitors to hear the sounds of elves busying away making toys for Santa to deliver on his sleigh on Christmas Eve.

Taking into account the vast amount of infrastructure as well as getting hundreds of visitors into gardens whilst keeping them pristine in the midst of winter, adds to the zeal of making this a must-visit festive activity.

The trail has been specially designed for visitors of all ages to enjoy. The Great Outdoors made magical.

The City Learning Trust is consulting on its proposal to open a new specialist music school in Sandwell, West Midlands, in association with the City of Birmingham Symphony Orchestra, with ambitions to establish a global centre of excellence for music education.

The City of Birmingham Symphony Orchestra (CBSO) is one of the world’s great orchestras, renowned internationally for its distinctive combination of artistic excellence and deep engagement with the local community.  The orchestra performs at the most prestigious international concert halls, as well as in its home venue – Birmingham’s Symphony Hall.

Reflecting its ambition to offer access to world-class musical opportunities for everyone, the CBSO is working with Sandwell Council and the City Learning Trust – one of the most successful multi-academy trusts in the country – to submit a free school application as part of the next wave of applications to the Department for Education (DfE).

Subject to approval from the DfE, the new school would open in Sandwell in September 2020, coinciding with celebrations marking the CBSO’s centenary.  It would cater for students aged 7 to 19, from primary through to secondary and sixth form. In addition to the normal academic curriculum, the school would specialise in classical, instrumental and choral music.  Every child would have the opportunity to learn at least one musical instrument, and students would also benefit from regular projects with CBSO musicians. The school’s most talented young instrumentalists and singers would have access to opportunities through the CBSO’s extensive talent development programme, which includes youth and training orchestras and two youth choruses.

Stephen Maddock OBE, Chief Executive of the CBSO said: “The CBSO is committed to supporting and developing the musical abilities and interests of children and young people from early years groups to university students. We currently do this through an extensive – and internationally admired – programme of opportunities ranging from workshops by individual musicians in schools, through pathways to support and develop outstanding talent, to orchestral concerts for young audiences at Symphony Hall.  Our partnership with the City Learning Trust is a logical extension of this programme, and the proposed new school would give us the opportunity to further use our musical expertise to support young people’s achievement and aspiration.”

Mirga Gražinytė-Tyla, the CBSO’s acclaimed Music Director added “This school would give young people in Sandwell the chance to be inspired by our musicians throughout their education. I am thrilled that the CBSO is involved with the project”.

Carl Ward, Chief Executive, City Learning Trust, said: “Evidence suggests that regular access to high-quality musical opportunities can have a positive impact on attainment across all areas of the curriculum. Our hope is that, as well as helping young people achieve improved academic results, the proposed music school would also inspire the music teachers and music professionals of the future.

“The CBSO is one of the most vibrant cultural organisations in the UK. We are delighted and proud to be working together on this exciting initiative.”

Councillor Steve Eling, Leader of Sandwell Council commented: "I'm thrilled the CBSO is looking to come to Sandwell. We have so many talented young musicians here who will really benefit from being educated at a school partnered with such a renowned orchestra. If the application is approved we will work with City Learning Trust and the CBSO to find a suitable site for the new free school."

Carl added: “This new school would be well-supported by our established network of local, national and international business partners; we would encourage any businesses and organisations to get in touch if they are interested in supporting our education vision by nominating governors, giving students an insight into businesses and/or providing mentoring and coaching opportunities.”

The CBSO is the second orchestra with which the City Learning Trust has collaborated. Plans for the Hallé Music Free School, which will be based in Stoke-on-Trent, were announced earlier in the year and that school is also due to open in 2020.

Organisations from across the paper cup supply chain have signed an agreement with the Alliance for Beverage Cartons and the Environment (ACE UK) to accelerate UK recycling of PE lined paper cups. The cross-industry collaboration will work towards delivering a long-term, nationwide paper cup recycling solution which complements and builds on the recycling activities achieved so far by the paper cup industry.

The companies signed up to the agreement are: Benders Paper Cups, Bunzl Catering Supplies, Caffe Nero, Costa Coffee, Dart Products Europe, Greggs, Huhtamaki, International Paper, McDonald's UK, Nestlé, Pret A Manger, Seda Group, Starbucks, and Stora Enso.

Using ACE UK's extensive recycling expertise, gained running the beverage carton industry's recycling programme, the fourteen companies will fund an activity programme which will give many more people access to recycling for paper cups. The programme includes:

From 1st January 2018 all ACE UK bring banks will accept paper cups for recycling, delivering an additional 382 recycling points located in 97 local authorities across the UK. With a further 33 recycling points across an additional eight local authorities scheduled during the next phase.

Cups from these recycling points will be processed at ACE UK's recycling facility in Halifax.

Drawing on its experience and existing relationships with local authorities, waste management organisations and recycling bodies, ACE UK will work to include cups in local authority kerbside collections. Currently 66% of local authorities collect beverage cartons at kerbside, in addition to those which collect through bring banks, and it is hoped to achieve similar levels of coverage for cups.

ACE UK has been successfully running the beverage carton industry's recycling programme for the last ten years driving significant increases in carton recycling as part of its role as the UK beverage carton industry trade body. During this time it has worked closely with local authorities and waste management companies so that today 92% of local authorities collect beverage cartons for recycling through either bring banks or kerbside collection.

Commenting on the agreement Richard Hands, CEO of ACE UK said: “The paper cup industry is facing very similar recycling challenges to the ones the beverage carton industry faced when we started our programme ten years ago. Whilst our primary focus will remain on increasing beverage carton recycling, we believe our expertise, experience and existing relationships can help the paper cup industry create a step change in cup recycling. Whilst it is early days, we have a clear measured plan agreed and expect to see significant progress in cup recycling over the next two years and beyond.”

The agreement builds on activities implemented and supported during the last year by the companies involved, such as in-store cup recycling, single site and pilot recycling projects including 'One More Shot' and the 'Square Mile Challenge'.

Neil Whittall Global Category Director of Speciality Coffee at Huhtamaki UK, and chair of the Paper Cup Recycling and Recovery Group (PCRRG) said: “Whilst paper cups are fully recyclable, the industry recognises that many are not being recycled because of a lack of collection facilities. Companies across the industry have been working to address this barrier and increase cup recycling.

“This agreement with ACE UK represents a significant advance in UK recycling infrastructure for paper cups. It will also help us accelerate progress towards the PCRRG's objective of ensuring the majority of the UK population have access to information, schemes and facilities to allow them to recycle their paper cup, as set out in our Paper Cup Manifesto.”

“Furthermore by generating greater volumes of cups for recycling this will create a market for the material, making cups more attractive to waste management companies and creating the potential for more schemes to be introduced to collect cups from a much wider range of locations such as offices and high street locations.”

Mike Turner MD, International Paper Foodservice Europe and chair of European packaging trade body Pack2Go added: “This collaborative agreement, funded entirely by the signatories, is a clear demonstration of the commitment of these organisations, from across the paper cup supply chain, to address the barriers to recycling and deliver practical solutions to maximise recycling of paper cups.”

Dominic Paul, MD of Costa Coffee, said:

Costa is proud to be a part of today's ACE UK announcement, which will give our customers more access to recycling points for their takeaway cups.

Using ACE UK's extensive recycling expertise, which currently allows 92% of local authorities to recover beverage cartons for recycling, the partnership will launch in January 2018.

This ground-breaking agreement will help to further accelerate takeaway cup recycling and compliment the nationwide, in-store recycling scheme we already operate across over 2,200 Costa stores. Since the launch of our in-store recycling in February we have already recovered and are in the process of recycling over 9 million takeaway cups, which includes any competitor cups. We also continue to drive the use of reusable cups and have launched two new multi-purpose cups, offering a 25p discount for customers using any branded reusable cup in store.